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| June 2nd, 2005 |
When we learned that A Chorus Line, one of our all-time favorite
Broadway musicals, would be getting a lavish re-mounting in San Francisco
with an eye toward a return to the Rialto, we were absolutely thrilled.
The musical ran forever, first off-Broadway at the Joseph Papp, then on
the Great White Way at the Shubert. We saw it probably 50 times. Our enthusiasm
at the prospect of seeing a revival of this glittering, bittersweet, backstage
musical and hearing the great Edward Kleban-Marvin Hamlisch score took a
nose dive when we heard that pop princess Jessica Simpson would be singing
and dancing the role of Cassie, the part so poignantly played by the triple-threat,
Tony-winning Donna McKechnie.
We mean no disrespect to the undeniably beautiful Mrs. Nick
Lachey, who we have just learned did actually play Cassie in a production
at her Dallas high school. But with the redoubtable Ms. McKechnie so firmly
ingrained in our consciousness, there’s probably no known star who
could or would meet with our complete approval.
Fortunately, the Simpson story was just that: a story. Though
there is indeed a new production of the Pulitzer Prize-winning, long-running
musical (6,137 performances in 15 years) being put together in the City
by the Bay prior to a run at the Big Apple next year, the cast will consist
of unknowns, as was the case in the original. And that’s as it should
be. Can you imagine someone with Jessica Simpson’s firmly established
diva-dom singing in a chorus with 25 other gypsies: “I really need
this job?”

Writing of Jessica Simpson prompts us to share a little story
that may lend credence to her reputation for dim-wittedness, something that
we have long suspected is a carefully thought-out, artfully orchestrated
invention designed for her public persona. The Petersen Auto Museum in L.A.
hosted an auction of famed movie and television cars, most of them designed
by George Barris, like the Batmobile, KITT, and the Starsky & Hutch
red-and-white Ford Gran Torino, among others. Jessica recently starred as
hillbilly sexpot Daisy Duke in the big-screen remake of The Dukes of Hazzard.
In addition to Duke cousins Bo and Luke, portrayed by Johnny Knoxville and
Seann William Scott, the film also stars a bored-out, souped-up, 1969 red/orange
Dodge Charger, the “General Lee.” As is the norm, several of
these models were made and stood at the ready to substitute for any of those
that were disabled in the endless, mind-numbing car chases.
At the Bonhams and Butterfields auction, Jessica offered a bid
on one of the General Lees (as a present for husband Nick), but went away
empty handed when she was out maneuvered by another bidder. As it turns
out, all she had to do was ask the producers to give her one of the prized
autos. That’s how Knoxville and Scott got theirs: by simply asking
the producers. However, if Jessica had done the same thing and stayed away
from the auction, we would not be writing about her, would we? Smart lady.
How does Hugh Jackman keep up with himself? He is definitely
an equal-opportunity, show-biz go-getter. With his time divided pretty evenly
among movies, Las Vegas-style cabaret, Broadway, and television on three
continents, it’s a wonder he doesn’t meet himself coming and
going. He recently participated in the re-naming ceremony of two of the
Shuberts’ 45th Street theatres in N.Y.C.—the Schoenfeld and
the Jacobs (formerly the Plymouth and the Royale)—then flew off to
Berlin to continue the filming of the movie, Good, based on the C.P. Taylor
play. Then it was back to N.Y.C.’s Radio City Music Hall to emcee
the Tony Awards, which CBS telecasts Sunday night where he’ll sing
a song or two (but wouldn’t tell us their titles so as not to spoil
it for our readers).
Before all of this, the jet-setting Jackman completed filming
The Fountain for director Darren Aronofsky, calling it “the greatest,
most fulfilling experience” he’s ever had working in film. Appearing
with Jackman in the romantic sci-fi drama are Ellen Burstyn, Sean Patrick
Thomas, Donna Murphy, and Rachel Weisz. After wrapping this movie, he performed
a prevue showcase of his cabaret act at Steve Wynn’s brand-new luxury
hotel in Las Vegas—one night only, for a reported million bucks —the
same show that he’ll be doing in New York City for the Shuberts. Lots
of numbers from the Peter Allen songbook, we’re told. No surprise
there, given Hugh’s Tony-winning impersonation of the late iconic
Australian pop star in The Boy from Oz a season or so ago. Hugh’s
Aussie fans will get to see the hard-working actor/singer/dancer strut his
exuberant stuff in this smash Broadway hit for eight weeks next summer.

We quizzed Hugh about his Tony choices, but he wouldn’t
reveal them. He did say, however, that he couldn’t understand how
the Tony nomination process managed to overlook Cheyenne Jackson, who does
an incredible Elvis Presley turn in All Shook Up, calling the six-foot-three
performer “just brilliant,” something that was echoed by syndicated
columnist Liz Smith: “[Cheyenne Jackson] is the sexiest man to hit
the boards since Hugh Jackman.”
Also touching all bases, distaff-wise, is our friend Kristen
Chenoweth, who is just about as busy as Hugh Jackman. A Tony winner—for
You’re a Good Man, Charlie Brown—and a Tony nominee—for
Wicked—this tiny soprano with the mighty voice will do six performances
of The Apple Tree for the City Center Encores! opposite Michael Cerveris
and Malcolm Gets. She had a continuing role in the NBC drama series, The
West Wing, this year. And with the series now on hiatus, she’ll take
on a feature film, the biography of soul singer, Dusty Springfield. In fact,
when we ran into her at Neiman Marcus in Beverly Hills recently, she was
there to buy “lots of black mascara” and ’60s-inspired
clothing to complete the hippie look of the “finest white soul singer
of her era,” in Kristen’s words.
“I am going for big, panda eyes like Dusty did,”
adding that the film will concentrate on that period in the singer’s
life up to the time she recorded Dusty in Memphis, an album that yielded
the classic Son of a Preacher Man. And yes, she said, when we asked her
about Dusty’s other hits: I Only Want to Be with You and I Just Don’t
Know What to Do with Myself will both be in the film. A Universal Pictures
release, produced by Marc Platt and Kristen, it is a logical follow-up to
the studio’s successful bio-pic of last year, Ray, which earned Jamie
Foxx an Oscar. (Following years of substance abuse and a decline in
her artistic fortunes, Dusty Springfield died in 1999, at the age of 59,
after a long bout with cancer.)
Kristen is being seen this summer at the nation’s cineplexes
in Bewitched as the good friend of Nicole Kidman’s character, Samantha.
She’ll also put in an appearance this weekend at the Tony Awards,
no doubt wearing one of the dresses she purchased at Neiman Marcus. She
has already wrapped The Pink Panther, the Steve Martin-starring remake of
Blake Edwards’ old chestnut in the role of Inspector Clouseau, scheduled
for a fall release. And there’s more: She’s just finishing Running
with Scissors and Stranger Than Fiction and begins filming RV next
month. Whew!
Kristen and Nicole formed a close bond during the filming of
Bewitched and the two will be doing some serious shopping right after the
Tonys at the three “B’s”—Bergdorf’s, Bloomie’s,
and Bendel’s. (Nicole is in N.Y.C. filming Fur, the Diane Arbus film
bio, co-starring Robert Downey, Jr.) Naturally, we asked Kristen about her
being spotted at parties and around town with the wonderful actor-singer
Patrick Wilson, who was so good in the film version of Phantom of the Opera.
“Oh, no. We’re just friends,” she insisted. Like Kristen,
Patrick seems to be on the fast track to an important film career, having
recently signed to star in writer/director Todd Field’s relationship
drama Little Children, opposite Kate Winslet and Jennifer Connelly. There
were many high-profile actors who were interested in the role, but said
Fields, “I was so impressed [with Wilson] that I instantly offered
him the part,” that of a sexy, young father, a former college football
quarterback. Patrick Wilson created a sensation a year or so ago in the
TV miniseries, Angels in America. And the good-looking actor recently completed
work on American Gothic. He’ll next be seen in the Sundance Film Festival
fave, Hard Candy.

Not long after seeing Kristen at Neiman’s, we spotted
Patrick and a lady having coffee in our neighborhood. We have seen the two
of them since then, holding hands, walking in the area, very lovey-dovey,
and assume that they are living nearby. So Kristen’s “just friends”
designation about Patrick must really be the way it is. Friends
of Lindsay Lohan were telling us that she, too, will be attending the Tony
Awards on Sunday. We asked them about another Lohan rumor—that she’s
considering the lead role in the Main Stem musical Clueless in the part
that launched Alicia Silverstone’s movie career. They merely shrugged
their shoulders and a glazed look came over their faces. In the current
issue of W, producer Barry Weissler says he “would die” to have
Lindsay star in the musical. Barry and his wife Fran are planning this with
Amy Heckerling, who directed the hit film, and, according to our sources,
have already been in discussions with Lindsay about starring in the musical.
Will Lindsay be asked to regain some of the poundage she’s dropped
in recent weeks? The once zaftig popster recently was spotted boogeying
down with Jake Gyllenhaal and we had to wonder where all her energy
has been coming from. Since so much of this week’s column
deals with musical theatre, we might as well share something that just came
to us: Andrew Lloyd Webber wants blonde movie queen Scarlett Johansson to
star as Maria in his West End revival of Rodgers and Hammerstein’s
The Sound of Music, which Trevor Nunn is directing for the 2006 season.
Scarlett, in case you didn’t hear, pulled out of Mission Impossible
III because of delays and script changes. The film’s star, Tom Cruise,
now wants his new gf, Katie Holmes, to take over the role, after she completes
her star-turn in Factory Girl. We also hear that scenarist Bob Harling would
like Katie for the role of Pamela Barnes Ewing in the big-screen movie he’s
written based on the television series Dallas. Speaking of Katie
Holmes, we continue to be impressed by the maturity of this young woman.
On her relationship with Cruise, she said that she herself chose to be in
the public eye and that the pressure she is under is her own. “I just
don’t want to get into the celebrity couple trap where your relationship
is the subject of a lot of nasty speculation. You read so much about some
couples and how their lives come under so much scrutiny and you know it
must be terrible for them.”
Right after
the news broke about Renee Zellweger and Kenny Chesney’s unexpected
Virgin Island wedding, we ran into Russell Crowe at the Four Seasons and
asked him for a comment. “What a surprise and hurrah for them,”
he said of his Cinderella Man co-star’s marriage to the hunky
country singer. We asked him if it were true that he’d gifted the
couple with an Elvis Presley guitar, as we’d heard. “No, I am
keeping the few Elvis Presley guitars I own for myself.” Then he added,
“Sure, I got them a wedding present, but I am not telling you what
I got them.”
As long as we had the attention of the usually tight-lipped
Aussie actor, we asked him what he thought of the play Killing Russell Crowe.
(This is about a bartender who thinks the actor is a cheapskate and never
leaves tips, just autographed headshots of himself.) The question clearly
took the actor by surprise, but he responded with uncharacteristic calm:
“This reckless accusation that I do not tip drains the last drops
of credibility from this desperate plea for attention. [Beat] “Can
we talk about Cinderella Man?” Okay, Mr. Crowe. Talk.
“[The film] is set in the early ’30s at the height
of the Depression, and charts the life of James J. Braddock, who with the
support of his wife (played by Renee Zellweger) rose from extreme poverty
of the New York City slums to win the world heavyweight boxing title. It
was physically the hardest thing I’ve ever done...three or four times
more difficult than Gladiator. I was in massive pain on a daily basis, but
I was enjoying the hell out of it because I loved the guy that I was playing.”
The film was directed by Ron Howard.
There’s Oscar buzz already being generated about the film
and about Crowe’s performance, after an industry-only preview recently.
It has been 25 years since a boxing film about a real person—Raging
Bull about Jack La Motta in 1980, which earned an Oscar for Robert De Niro—has
been the subject of so much optimism and blockbuster expectations. Not even
Denzel Washington’s much lauded, Oscar-nominated performance as Rubin
“Hurricane” Carter in The Hurricane (1999) nor Will Smith’s
equally respected turn as Muhammad Ali in Ali (2001) were able turn their
movies into unqualified hits. (Rocky and Million Dollar Baby were very
successful boxing movies, but they were both fictional characters.) In
an article about Tom Cruise in the current Readers Digest, the actor speaks—obviously
pre-Katie Holmes—about marriage and kids, among other things. “I’d
like to get married,” Cruise is quoted. “I’ll tell you
what I love. I like being in a relationship. That’s who I am. You
know, sex means something to me. When I’m with a woman, I feel that,
you know?” Tom is also quoted as saying he wants more kids. “I’m
a great parent! I want to be my kids. Really, they get to do all the stuff
that I wanted to do when I was growing up.” Right after news of the
relationship first came out, tabloids had Kate and Tom already heading for
the altar, citing that the recent Zellweger-Chesney “elopement”
was serving as their model. They were even reporting that Carolina Herrera,
who designed Renee’s stunning wedding gown, was also designing Katie’s.
Taint so. We asked our friend Carolina and she said she hadn’t heard
from anyone about Katie Holmes’ wedding dress. Justin
Timberlake and Cameron Diaz, vacationing at the Plush Hotel in the resort
town of St. Jean Cap Ferrat, giving Justin’s pipes some much needed
healing time—some say it’ll require about three months—got
a cool million ($, that is) to perform at Brit billionaire Philip Green’s
son’s bar mitzvah. The key word here is “perform.” The
former Back Street Boy is voice-less since his surgery a month ago. Lip-syncing
has been an alternative to singing “live” for years from Madonna
to Ashlee Simpson, though Milli Vanilli did have to give up their Grammys
when the duo was busted “singing” to someone else’s voice
tracks.

We ran into Cameron at Neiman Marcus a while back and she was
buying some handbags and Manolo Blahnik shoes, which we now assume were
for her trip to the South of France. We understand she also bought a number
of bikinis at Neiman’s. Someone told us that Cameron and Justin were
looking at a villa to rent for the remainder of the summer. It is near Villa
Mauresque, the home of socialite Lynn Wyatt, which once was the Riviera
home of Somerset Maugham. We understand that Lynn already invited Cameron
and Justin to a dinner party. If true, they are in for a treat. We too were
once at Villa Mauresque, attending one of Lynn’s absolutely fabulous
self-hosted birthday parties. On that occasion, Chanel’s Karl Lagerfeld dressed
the smashing Houston blonde like an 18th century maharajah, all in blinding
white satin, from pearl-decorated turban to tiny shoes with turned-up toes.
She was spectacular and so was the party. When you’re
beautiful, rich, and famous in Hollywood, you’re a tabloid target
and there’re no two ways about it. Take Charlize Theron. Not only
were they reporting a rift between the talented Oscar-winning star and her
boyfriend of four years, Stuart Townsend, but they also had her making whoopee
with the co-star of her latest (untitled) film, Woody Harrelson. According
to the supermarket scandal sheets, Charlize was upset with Townsend because
he failed to visit her during her two-month, New Mexico location film shoot.
Another rag had her partying with Jennifer Garner’s ex and Alias co-star
Michael Vartan at the new Wednesday night hot-spot Mood in Hollywood.
These reports sent us scurrying to Charlize’s publicist,
Heidi Schaffer, who just shook her head in disbelief. We believe Heidi because
we spotted Charlize and Stuart looking very much the happy couple having
a romantic dinner at the Bel-Air Hotel. And a couple of days later, some
friends of ours reported seeing the couple ascloseasthis at the beach,
with the couple’s dogs at their side. Another celebrity
we spied at the Bel-Air Hotel on the same evening we saw Charlize and Stuart:
Val Kilmer, taking a break from his starring role on the London stage in
The Postman Always Rings Twice. His dinner partner was Zeta Graff, Greek-born
actress and ex-wife of Francois Graff, heir to a diamond fortune said to
be in the neighborhood of $157 million, some of which was awarded to Zeta
in their divorce. A little background on Zeta: She co-starred with Bruce
Willis in The Fifth Element and was once involved romantically with Paris
Latsis, now making the scene with Paris Hilton. Zeta denied one of the diamond
rings she was wearing came from Val. The 35-year-old actress smiled and
said, “They’re all from Francois.”
Having
successfully scaled the ladder of success in Hollywood with the American
Pie franchise, among other films, director Paul Weitz has set his cap for
the theater, with his play Privilege about a pair of rich Manhattan brothers,
now on view at Broadway’s Second Stage Theatre. As a former rich kid
himself, the son of the legendary fashion designer John Weitz and actress
Susan Kohner, Paul knows of which he speaks (or more correctly, writes).
Now pushing 40, Paul has outgrown his rich-kid origins, becoming a self-made,
rich adult, along with his four-years-younger brother, Chris. The drama
draws heavily on the brothers’ background—an Upper East Side
apartment, private schools, and enviable wealth—who are 16 and 12,
whose lives are torn apart when their father is arrested for insider trading.
Bob Saget plays the out-of-touch dad. Privilege received a strong recommendation
from The New Yorker, calling it “excellent.”
Meanwhile, the Weitz brothers are keeping their connections
to Hollywood in force with a new film, American Dreamz, and have signed
Hugh Grant and Dennis Quaid as stars. The film is a satirical look at how
politics and show business converge in America and impact on each other
today. Grant plays a disaffected British TV personality and Quaid portrays
the U.S. president going through a nervous breakdown. The film also stars
Chris Klein and Mandy Moore and starts shooting in July. Grant is looking
for East Hampton digs for girlfriend Jemima Kahn to occupy while he’s
before the cameras in Los Angeles.